An Era · 1400–1600

The Renaissance

The age that taught the world to see — perspective, anatomy and divine proportion in the hands of Leonardo, Raphael, Botticelli and Michelangelo.

The Deep Dive

The Renaissance was a cultural and artistic rebirth that began in Tuscany, particularly Florence, around 1300-1400 with a Proto-Renaissance phase from about 1250, before spreading to Venice, Rome, and the rest of Italy and then across Europe through the 16th century. Fueled by the rediscovery of classical antiquity, the rise of humanism, and the wealth of merchant patrons such as the Medici family, Renaissance artists pursued mathematical linear perspective, anatomical accuracy, and psychological realism, moving decisively beyond the flat, symbolic conventions of Gothic art. Filippo Brunelleschi's engineering of the dome of Florence Cathedral (completed 1436) and his formulation of linear perspective set the stage for painters like Masaccio, whose Holy Trinity fresco (1426-27) was among the first to apply true perspectival illusion. The High Renaissance of the late 15th and early 16th centuries produced the era's most celebrated masters — Leonardo da Vinci, Michelangelo Buonarroti, and Raphael — working chiefly in Florence and Rome under papal and princely patronage, while Venice developed its own coloristic tradition through Titian and the Bellini family. The period's political fabric was shaped by events like the Peace of Lodi (1454), which stabilized Northern Italy for decades, and unraveled amid the Italian Wars beginning in 1494 and the traumatic Sack of Rome in 1527, which many historians treat as marking the close of the High Renaissance. Beyond painting, the Renaissance transformed sculpture (Donatello's bronze David), architecture (Alberti, Bramante), literature (Machiavelli's The Prince), and music, and its humanist, classicizing vocabulary became the bedrock of subsequent Western academic art for the next four centuries.

Defining characteristics

Mathematically constructed linear perspective creating convincing illusions of three-dimensional spaceRevival of classical antiquity — proportion, mythology, and architectural orders — through humanist scholarshipSfumato and chiaroscuro techniques for soft tonal transitions and dramatic light modeling, pioneered by Leonardo da VinciAnatomically precise, idealized rendering of the human body informed by direct study and dissectionPatronage-driven production for powerful families (the Medici), the papacy, and civic institutionsEmergence of the individual 'artist-genius' concept and written art theory (Alberti, Vasari)Fresco cycles and large-scale altarpieces as dominant public art forms in churches and palacesVenetian emphasis on color (colorito) as a counterpoint to Florentine-Roman emphasis on drawing (disegno)

Timeline

c. 1250-1300
Proto-Renaissance begins in Tuscany with painters such as Cimabue and Giotto
1401
Competition for the Florence Baptistery doors, won by Lorenzo Ghiberti, is seen as an inaugural Renaissance event
1420-1436
Filippo Brunelleschi engineers the dome of Florence Cathedral
1426-1427
Masaccio paints the Holy Trinity fresco in Santa Maria Novella, Florence, using true linear perspective
1454
The Peace of Lodi stabilizes relations among Northern Italian city-states
1482-1499
Leonardo da Vinci works in Milan, painting The Last Supper (1495-1498)
1501-1504
Michelangelo carves the marble David in Florence
1508-1512
Michelangelo paints the Sistine Chapel ceiling in the Vatican
1510-1511
Raphael paints The School of Athens in the Vatican Stanze
1527
The Sack of Rome by Habsburg troops disperses artists and is widely seen as ending the High Renaissance

Key artists

Leonardo da Vinci
Florentine polymath whose Mona Lisa and The Last Supper defined High Renaissance technique and psychological depth
Michelangelo Buonarroti
Sculptor, painter, and architect responsible for the Sistine Chapel ceiling and the marble David
Raphael
Master of harmonious composition whose School of Athens epitomizes High Renaissance classicism
Sandro Botticelli
Florentine painter known for mythological works The Birth of Venus and Primavera, produced under Medici patronage
Donatello
Sculptor whose bronze David was the first freestanding nude bronze statue since antiquity
Titian
Leading Venetian painter celebrated for rich color and influential across European court portraiture
Filippo Brunelleschi
Architect and engineer who solved the construction of Florence Cathedral's dome and formalized linear perspective

Notable works

  • Mona Lisa, Leonardo da Vinci (1503-1519) — Louvre, Paris
  • Sistine Chapel ceiling, Michelangelo (1508-1512) — Vatican Museums, Vatican City
  • The Birth of Venus, Sandro Botticelli (c. 1484-1486) — Uffizi Gallery, Florence
  • The School of Athens, Raphael (1510-1511) — Apostolic Palace, Vatican City
  • The Last Supper, Leonardo da Vinci (1495-1498) — Santa Maria delle Grazie, Milan

The market

Renaissance old masters occupy the very top of the auction market when authenticated and deaccessioned from major collections, though such works are extremely rare to appear at auction; most great examples remain in museums or historic collections.

Highest price ever for a painting at auction
$450.3 million for Leonardo da Vinci's Salvator Mundi (Christie's, 2017)
Botticelli's Portrait of a Young Man Holding a Roundel
$92.2 million (Sotheby's, 2021)

The masterworks

Enter the gallery.

More eras

Every masterwork of the The Renaissance on ArtzFolio ∞ Infinity is recreated on archival, hand-finished canvas, numbered as a strictly limited Heirloom edition and built to be inherited — from ₹50,000, delivered across India with white-glove care.

Commission from the The Renaissance.